Sunday, March 3, 2013
Saturday, March 2, 2013
Friday, March 1, 2013
Terry Rex
Looking back at the past year, I've noticed that I've been in a huge creative rut. A lot of writer's blocks, the inability to draw anything, and so on and so forth. It was very debilitating, and would explain the lack of artwork that I've been able to put online.
Since taking vacation and moving into a different job position, my life seems more sane now and fortunately, I've been able to write and draw more prolifically. I hope that with these changes and a new regimen in my creativity, I hope to have more work.
Here's a T-rex.
Since taking vacation and moving into a different job position, my life seems more sane now and fortunately, I've been able to write and draw more prolifically. I hope that with these changes and a new regimen in my creativity, I hope to have more work.
Here's a T-rex.
Thursday, February 21, 2013
Tuesday, January 15, 2013
Felix Felis!
After a loooooong absence of comics, some new ones! What I call Felix Felis. I have a few ideas where it's going, but no idea how it's going to end! I'm excited to be writing and drawing comics again.
Monday, January 7, 2013
Friday, December 7, 2012
Friday, November 9, 2012
Wednesday, November 7, 2012
Monday, November 5, 2012
Computertizing
I will admit that I am a computer-phobe. I grew up with computers since I was 5 or 6, and use them everyday, but when it comes to drawing and painting, I avoid it like the plague.
However, as I am trying to expand my range, particularly focusing on making my color illustrations pop, I have been learning as much as I can about the printing process, color separation, and what makes the translations from final art piece(ie. watercolors) to finished product work. When I look at a Sunday comic, what makes the colors work? How did it go from watercolor to print? I especially look at Patrick McDonnell's work, but I have also been looking at Dr. Seuss's work in it's very simplified color palette (DID he just use markers to indicate where color goes?)
Photoshop in it's amazingly versatile universe makes coloring something 10 times easier. I just finished an example of Larry Bear and Mary drawn by hand, but then colored in the computer. The color palette I started off with is something Mo Willems would use, but then made some brighter, pop colors. I am intrigued with what came out, but it still seems off for me. I wish that it was warmer. Something I hate about computer colors is that they lose the warmth of the color right away. If that makes sense.
However, as I am trying to expand my range, particularly focusing on making my color illustrations pop, I have been learning as much as I can about the printing process, color separation, and what makes the translations from final art piece(ie. watercolors) to finished product work. When I look at a Sunday comic, what makes the colors work? How did it go from watercolor to print? I especially look at Patrick McDonnell's work, but I have also been looking at Dr. Seuss's work in it's very simplified color palette (DID he just use markers to indicate where color goes?)
Photoshop in it's amazingly versatile universe makes coloring something 10 times easier. I just finished an example of Larry Bear and Mary drawn by hand, but then colored in the computer. The color palette I started off with is something Mo Willems would use, but then made some brighter, pop colors. I am intrigued with what came out, but it still seems off for me. I wish that it was warmer. Something I hate about computer colors is that they lose the warmth of the color right away. If that makes sense.
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